“Eres Top,” which revisits Diddy’s early-aughts hit “I Need a Girl Part 2,” feels hollow, like DJ Snake slapped the reggaetón riddim on top of the original and called it a day. Much of the rest of Nibiru suffers from an identity crisis, and most of its hip-hop collaborations feel like regressions. And “Baila Baila Baila” may be almost a year old, but it has endured as one of the biggest dance tracks of the year and reveals Ozuna’s mastery at writing hooks. His agile flow en español shines on “Yo Tengo una Gata,” a kush-cloud duet with Panamanian reggaetonero Sech, with a simple synth melody that yowls with heartache.

There are glimpses of that otherworldly talent on Nibiru. Named for a fictional planet where Ozuna makes his music before bringing it back down to earth, the LP hints at the scope of his ambition: He’s been beyond the clouds, searching for new territory after so thoroughly and quickly conquering YouTube. Nibiru extends him beyond this comfort zone, and in the process, loses some of what made him unique. Tracks like “Se Preparó” and “Síguelo Bailando,” from his debut LP, crystallize this notion, conjuring a suave and sophisticated aesthetic imbued with both confidence and vulnerability. Ozuna typically occupies the space in between, a romantic reggaetonero who softens the edges of the traperos he often collaborates with.

And Latin trap can trace its roots back to Atlanta’s strip clubs, with basslines that ooze sex and sleaze. Reggaetón is made for the dancefloor, fueled by a classic, irresistible riddim. Nibiru is a self-described urbano record-that umbrella term that encompasses the reggaetón, trap, and R&B currently dominating the Spanish-language pop charts. By the time Nibiru was released at the end of November, expectations had reached a fever pitch that would prove almost impossible to meet. And after two years of releasing an album each August, he was still working on Aura’s followup through the fall. He was nominated for a Latin Grammy for Best Urban Song, but lost out to an artist who isn’t even Latin. I played this at a Carne Asada and nothing was the same.Behind the scenes, the 27-year-old Dominican-Puerto Rican was being extorted over an “intimate” video from his teen years, which ended with his extortionist’s murder (Ozuna was never a suspect). ▶ Bolivia, Kenya, UK, Burundi, Puerto Rico, France loveĮnjoy this afro-latin connexion, music has no frontiers <3

He joined the incredible piece made by and the famous singer Ozuna to give life to 'The tribe sigue bailando'. We directly felt in love with the mashup idea of.

Ozuna bailando song